Music Review Tuesday went really well for me and my new record yesterday on the “Part of my Evolution” music & pop culture blog from New York City. “I Killed Tomorrow Yesterday” got 5 stars! — That’s 5 out of 5 possible, people. Count ‘em. They also linked to Q Center which made me smile.

They had some really nice stuff to say about my Producer Bryan Cecil as well. Read what they think about it (and check out some super creepy Ray Gordon photos of me from this past Summer) by clicking HERE or keep reading below. There has been all sorts of love from the East Coast this week!

From “Part of my Evolution“: (10/19/2010)

“If there’s one thing Logan Lynn can do well, it’s saying a whole lot with few words and putting them into seriously addictive melodies. His latest album – and perhaps final album, I Killed Tomorrow Yesterday, is not only skillfully written and produced, it’s fun as fack! Probably not something you’d expect from reading the album title, but if you know Lynn’s work, this isn’t strange.

All in all, I’d say I Killed Tomorrow Yesterday could well be one of my favorite albums of the year. Infectious melodies, 80′s-inspired synthy fun, and bold lyrical content. To top it off, all proceeds from this album will be used to benefit Portland’s Q Center. And that ladies and gentlemen, is how you say goodbye to your fans.
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NYC music blog Boom Boom Chick reviewed my new record “I Killed Tomorrow Yesterday” today. They dig it. You can read what they had to say HERE or just keep reading below…

“Portland’s finest indie-electronic musician, Logan Lynn, is back with a new record. ‘I Killed Tomorrow Yesterday‘ was produced by Bryan Cecil and is much darker than his previous release, ‘From Pillar to Post‘. That, and it sounds as if it were sent here straight from 1985. The synthpop sound suits Lynn’s voice and the subject matter (which deals with alienation and disillusionment) well. ‘Velocity’ could have been straight off of one of my mother’s 1980s Latin freestyle records and is the album’s definitive dance record; other standouts include ‘Tennis Whites’, ‘Quickly As We Pass’, and ‘Fly Me Through’, which wins the award for best chorus: ‘So get on board or / Shut your fucking mouth / You just shut your fucking mouth / Shut your fucking mouth’.

Currently, 100% of proceeds from ‘I Killed Tomorrow Yesterday’ go to charity so we encourage you to purchase it by clicking HERE. Physical copies will be made available on December 28th, 2010.”

Nice one, huh? Bryan Cecil came in a time machine from the past to produce this evil dance record for me. It’s real, people. He’s the devil himself.

I just heard word from the kids at MTV that my new video “The Last High” will be making its Network Television World Premier into MILLIONS of homes one week from Sunday (on February 21st at Midnight) on their Logo Channel‘s weekly video countdown show “NewNowNext“! Set your Tivo! There are tons of repeat showtimes from there, but if you wanna catch it as it hits the airwaves, Sunday the 21st it is!!!

This is going to be the 5th video of mine that they have picked up since 2006. Pretty exciting. I love Logo!!! To watch me hosting “NewNowNext” at MTV Studios in NYC a year ago, CLICK HERE.

You can watch the video just below as well, but there’s something about seeing it on TV that is WAY more fun. Be sure to tune in!!!

One of the remixes from Volume 3 of my “Blood In The Water” Remix EP Collection got some attention from the “Boom Boom Chik” Electronic Music Blog this week! To check out all the nice stuff they had to say and have a listen, CLICK HERE.

Here’s a bit from the post to tide you over…

From “Boom Boom Chik”: (2/3/2010)

“New York based music collaborators Jean Goode and Teddy! of The Asteroid Belt are still doing their thing, this time having remixed Logan Lynn’s “Write it on My Left Arm” off of his 2009 release, From Pillar to Post. Lynn is a singer-songwriter from Portland, Oregon who delves in different genres ranging from folk to electronic. The remix is a wonderful listen; the musical growth of Jean Goode and Teddy are evident in the fluidity of the track, something that is made possible only when the instrumental arrangements are solid and complement the vocals (as is the case here). Upon hearing the track I thought of the ubiquitous Imogen Heap and the less well known Milosh, two artists who are pretty good to be associated with if you ask me.”

-Radio Morillo, “Boom Boom Chik”

Nice, huh? Go Jean and Teddy!!! Ink and Pixels, baby. Ink and Pixels!!!