Thanks to New York Magazine for featuring our Miley Cyrus cover on their Vulture video page again this week! This song was released 2 months ago today and, while I know it sounds totally weird, it has actually changed my life in the weeks since.
Click HERE to check it out. The video has been watched a half a million times already!!!
Here’s to REALLY good timing, to Gino Mari at The Country Club studios for being a genius and pushing me to try new things, and to Miley’s camp at RCA Records / Sony Music Entertainment for being so cool to us.
Hello, mainstream. Nice to meet you.
🙂
For those of you who may have caught Miley Cyrus performing “We Can’t Stop” tonight on Saturday Night Live and thought “Hey, that sounds awfully familiar” well…you were right! It sounds familiar because it was the arrangement written and released by Gino Mari and yours truly.
🙂
The hi-fiving continues…
Click HERE to watch video of the SNL performance (or via the embedded video below). The single, which was released just 3 weeks ago, is available on iTunes (and wherever music is sold) courtesy of RCA Records/Sony Music Entertainment HERE.
Thanks, Miley! So many “Holy Shit!” moments lately! Is this real life???
Today will forever be known as the day New York Magazine called me “dreamy” on the internet. At least…that’s how I’m going to remember it.
😉
BOOM.
Check out the article on NY Mag’s Vulture blog HERE or by clicking the current issue cover below.
From New York Magazine, Vulture: (9/18/2013)
“We Can’t Stop With These ‘We Can’t Stop’ Covers – And Why Should We? Arguably the track that would have been 2013’s Song of Summer were it not for “Blurred Lines,” Miley Cyrus’s “We Can’t Stop” has managed to linger far beyond the whole twerking thing that initially captured popular attention. How do we know this? Aside from being stuck in our heads since its release and being played at every summer wedding we went to, the song has also produced several very good covers. Doo-wop ones, reggae ones, and ones that really get into the heart of the matter. Neon Hitch’s brass-filled reggae cover, Logan Lynn’s dreamy, guitar-heavy version, Scott Bradlee & Postmodern Jukebox’s doo-wop version and Bastille’s incredible cover, which mashes up “We Can’t Stop” with Miley’s father Billy Ray’s “Achy Breaky Heart” to create a narrative of a rebellious child and her concerned father.”
