I was interviewed by New Noise Magazine for their current print issue. We talked about music, mental health, my new record with Jay Mohr and a bunch of other stuff.
Here is a screenshot of the piece, which appears on page 6:
Click HERE to read the long form interview on the New Noise Magazine website, or just keep reading below for the full transcript: Read the rest of this entry »
Thank you to BLURT MAGAZINE for naming my new record ADIEU one of the Top 10 Albums of 2016! 💀 💔 🔪
It is an honor to be included in that list of bands and artists who conquered the past 12 months in song. Click HERE for the full list at Blurt online.
ADIEU has been reviewed by over 50 magazines, newspapers and blogs already — ALL of which have been positive!!! Thank you to everyone who has taken the time to listen to this thing since its release on September 23rd.
This record is my heart. No filter.
If you haven’t already, pick up your copy on 150 Gram Red Double Vinyl, CD Digipak or Digital HERE and stream it free at the usual suspects, or by clicking on the cover artwork below.
Check out these reviews!!!
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I was interviewed for a review of my new record ADIEU in New Noise Magazine this month. Their take? 90s College Rock meets Musical Theater. WHICH IS EXACTLY IT.
Also, “The whole thing is very jazz hands mental health crisis, frankly” is my new favorite thing I have ever said in the press.
Click HERE for the online version, or just keep reading below.
From New Noise Magazine: (8/23/2016)
“Logan Lynn Brings Back 90s College Rock on ADIEU”
It’s been four years since Portland, Oregon’s Logan Lynn last put out a full-length. Despite coming out with a wildly popular cover of Miley Cyrus’ “We Can’t Stop” in 2013, his latest record is aligned much closer to 1990s college radio rock and classic theatrical rock—think more Queen and less Yes—than a contemporary party album.
“I think strong ‘90s college rock vibes are probably there by way of the strong ‘90s college rock vibes I loved and was raised on, and then intentionally nodding to on ADIEU.,” Lynn says, referring to the new LP. “But I think [collaborator and producer] Gino [Mari] and I both had pretty serious musical theater vibes happening as a constant throughout. There are moments on this record that feel really jaunty and bratty, and as we were recording them, I tried to keep this mental image of myself with a dancing cane, clicking my heels in the rain, and moving through these very serious themes with a spring in my step, front and center. The whole thing is very jazz-hands mental health crisis, frankly.”
So, ADIEU.—which will be self-released on Sept. 23—is definitely a bit different. Read the rest of this entry »
