LOGAN LYNN // SOFTCORE \\ OUT NOW

  

Logan Lynn Interviewed On Underneath This Feminist Blog This Week. Read It Here!

Logan Lynn (2012)

I was interviewed by the Underneath This Feminist Blog this week. Read our chat on their site HERE or read it below.

From Underneath This: (3/27/2013)

“Logan Lynn is a musician who is gay-identified. He has been writing and making music for a decade and a half. His videos have appeared on LOGO and MTV and he has played across the globe. From 2010 until 2012, Logan took a hiatus from music to devote himself professionally to LGBTQ advocacy at the Q Center in Portland. Logan donated sales from his album, “I Killed Tomorrow Yesterday to the Q Center. In 2012, he returned with the single, “Turn Me Out.”

Logan’s latest music video, “Hologram” can be viewed and heard at http://youtu.be/_fa5WgqY6cA (it is really great!). To access Logan’s music videos, please visit: http://www.YouTube.com/LoganGLEE. Please check out https://www.loganlynnmusic.com for more information about Logan.

Underneath This recently interviewed Logan about identity, music, feminism, as well as the media’s coverage of LGBTQ artists.

Logan Lynn by Eric Sellers and Zaq Banton

What was the process of becoming a musician like for you?

It was a pretty natural progression. I was raised in a fucked up Christian cult that didn’t allow instrumental music, so I was trained as an A cappella vocalist from very early on. When I escaped as a teenager, I fell into the downtown Kansas City 90′s party/rave scene and started spinning records. Then, when I moved to Portland in ’96 I met The Dandy Warhols, Elliot Smith, and immersed myself in the Portland music scene. I recorded my first record “GLEE” from 1998-1999 and it was released in 2000. From there, I slowly got my shit together bit by bit until I finally got signed to Caroline/EMI in 2007. I was on the label for 3 years and have only just last month regained the rights to the masters from that time. I’m going to be re-releasing “From Pillar To Post” and “The Last High” sometime this year, but for now they are out of print…and I am officially free once again! I released my new record “Tramp Stamps and Birthmarks” in December myself, and it’s been really nice to not have anyone telling me what to do, how to be, and who I need to be around. My major label experience was Read the rest of this entry »


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// SOFTCORE (2024)

 

 

 


 

// HARDCORE (2024)

 

 

 


 

// R+R CITY (2023)

 

 

 


 

// DISTRACTED (2023)

 

 

 


 

// NEW MONEY (2022)

 

 

 


 

// KRS30YRS (2021)

 

 

 

 

 

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