LOGAN LYNN // SOFTCORE

  

“From Pillar To Post” Turns 10 This Year!

I can’t believe my major label disaster From Pillar To Post turns 10 this year!

Not the greatest time in my life, as anyone who was even remotely tuned in back then will recall, but this record — and the signing that came with it — definitely gave me hope and something to live for while I was in, and then fresh out of the rehab that finally took.

Lots of really great people believed in me right then and gave me so many opportunities to become someone I just ultimately didn’t want to become. Looking back now it feels hard to imagine that person navigating all that he was navigating without going nuts, so I cut him slack for some of the messier parts where he did.

Anyway, thank you to The Dandy Warhols, Logo, Pati DeVries and the team at Devious Planet, the team at NewNowNext, Carlos Cortes, Jeremy Sherrer, cars & trains, Jacob Portrait, Ryan Wines and the Beat The World Records Team, Sidney McCain at Caroline Records, all those goddamn suits at EMI Records, and everybody else who was in my court for that whole ride.

There are too many of you to name, and it’s taken me a full decade to even wrap my head around it all, but I know for sure that I love each and every one of you, and that experience will always be ours.

OLD PORTLAND’S LAST HOORAH! 🖤 LISTEN AND BUY HERE.

Spotify Releases “This is Logan Lynn” Retrospective in “This is” Playlist Series. Listen Here First.

‪THIS IS WILD. ‬

The good folks at ‪Spotify put together a best-of retrospective of my career titled “This is Logan Lynn” as part of their “This Is” playlist series and I’m not sure whether to promote it or apologize. 😊🎧‬

Thank you so much, Spotify! ‪I’m in really good company and it’s a total honor.

‪It’s live HERE now if ya wanna give it a spin, or click on the screenshot below. Hi Ariana Grande! Read the rest of this entry »

Indie Rant # (I Lost Count)

 

Nobody should need anything but their naked eye to see that since the beginning I’ve been hiring publicity teams to promote my music and film work, boost social posts, and find creative placement angles so mainstream media outlets embed my videos, bringing views and visibility.
 
I OPENLY CLAIM THIS.
 
And honestly, it’s just how it works when you are perpetually trying to get your name out there as a relatively unknown independent artist. We’re all out here just doing whatever we can to beat the almighty algorithm and stand out in the crowd.
 
I’ve been managing and funding the entire production of all of my records, videos and tours myself for the past 20 years. There have been a few times where I’ve done that while on a label, but even then I was navigating most of this whole thing solo. And believe it or not, mentally ill gay guys who refuse to stick to a single genre longer than one album cycle and sing openly about their issues related to overcoming sexual trauma and crack addiction aren’t what all A&R reps at every record label are looking for. 👻
 
I’ve been doing all this because I need an outlet to work my shit out, and as a byproduct it has actually helped me build community around things I care deeply about; but I’m the first to admit a lot of my journey both publicly and privately has been more than a little goofy.

Read the rest of this entry »


// MUSIC VIDEOS

 


 


 

// SOFTCORE (2024)

 

 

 


 

// R+R CITY (2023)

 

 

 


 

// DISTRACTED (2023)

 

 

 


 

// NEW MONEY (2022)

 

 

 


 

// KRS30YRS (2021)

 

 

 

 

 

// CONNECT

 

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