“Portland features a plethora of musical geniuses; you can fill up any given week with a slew of stellar live shows boasting considerable talent (and, frankly, many do). That said, it never ceases to amaze me how excited my friends and I get when one of our beloved artists takes the stage — the endless parade of staggering talent never gets old.

Last night, Portland’s indie darling Logan Lynn delighted a rapt, wowed audience at the Doug Fir. He opened (and stayed) strong; his infamous anthem, “Feed Me to the Wolves,” set the tone for the night: alluring, assured, and more than a little bit amazing.

Not familiar with Lynn’s music? What rock have you been living under? Imagine Ladytron and Ben Gibbard having a secret, sexy love affair. Their entirely original, hybrid offspring: Logan Lynn. Shifting nimbly between energetic dance anthems and industrial alt-rock (and often combining both), he defies any easy niche or classification. Instrumentation is complex and multi-layered; lyrics are honest and exposed. Lynn, who doesn’t shy away from the “emo” moniker, doesn’t whine — he pleads, impassionedly. He pushes boundaries sonically and lyrically — and excels every time he does.

As he worked through his set, energy and momentum built — and the crowd danced. Man, did they dance. For his grand finale, Lynn brought fellow acts Cars and Trains and The Gentry on stage for a brilliant, raucous version of “Bottom Your Way to the Top.” Stunning everyone, even Lynn, Dahlia’s Jen Folker jumped on stage and joined in. One of the video’s stars, Devan McGrath, danced nearby. That moment of musical perfection sums up the entire evening: prodigious music, talent galore. Logan Lynn has a knack for turning a “concert” into a disco dance party. Isn’t that how every show should be? Well, a queer can dream.”