Absolutely wild that any of these songs and ideas made it past the gates at the time and, looking back, delivering an art record to Caroline / EMI Records when I was signed to make fuckboy party music was a big flex.

Didn’t work. And I’d do it all over again the exact same way.

 
CHECK OUT THE ALBUM ARTWORK HERE
 
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Def one of my favorite babies, and represented me taking back my career and life from the major label deal that was ruining both at the time. Always grateful for where this one took me.

I was still on cable TV every week when that record came out and I had been for over half a decade at that point. It was super weird because I had all of these huge opportunities but was struggling just to live each day and also survive the insanely unpleasant experience of having no privacy in early addiction recovery. It sucked. And that ultimately had a lot to do with me blowing the thing up. It was not my most graceful moment, but I would save myself again a thousand times over.

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It’s been a week since the studio fire and thanks to so many of you who have joined in supporting the recovery efforts, Burn Money Music is already nearing the halfway point to their fundraising goal.

Pick up a copy of Too Hard at LoganLynn.Bandcamp.com and 100% of every dollar raised will be donated to the Burn Money Music GoFundMe in support of the rebuild.