LOGAN LYNN MUSIC + MANAGEMENT

  

I’m Not Hiding. I Have Quit The World. ❤️

For the past 6 months or so I’ve been out here all alone, teaching myself how to live without any answers, learning how to create safety in the midst of whatever dangerous-feeling bullshit happens to be swirling about at any given time, playing dress-up happy agate beach babies with the tiny animal, breathing the ocean air every single day, and dealing with an endless stream of outdoors-related tiny house van life dramas while I chase this ever-elusive peace I’ve truly only ever read about in books.

I’m not hiding. I have quit the world.

When I come back — and I AM coming back sometime soon — I will be there because I actually want to be; and because I miss you. ❤️

“My Movie Star” Has Been Out For Exactly Three Months…

We are 3 months into the My Movie Star release and it’s clear that people either completely love this weird, quiet piano record and are already mid-process wearing out the vinyl, or they fuckin’ hate it and either refuse to listen or just never made it past song 5 before breaking the vinyl over their knee.

There doesn’t seem to be much in-between this round, both critically and commercially, which I’m good with. Love me or hate me, feature the album or ignore it, these songs are my best work in 20 years, hands down.

I’m so proud of this record, all thanks to everyone who gave everything they had to this project; And to those of you who have bought the album and followed me here, I know we are a long way from those strange dance floors where we first met. The world has changed and so have I. Thank you for still being here. I see you dancing, sweethearts.

The My Movie Star Deluxe Double Disc Edition is out now on vinyl, CD and digital download wherever music is streamed and sold. Pick one up from Bandcamp and I’ll sign it for you, personalize it for a friend, or turn it into a unique piece of hatemail for someone you would like to simply torture with my voice

Indie Rant # (I Lost Count)

 

Nobody should need anything but their naked eye to see that since the beginning I’ve been hiring publicity teams to promote my music and film work, boost social posts, and find creative placement angles so mainstream media outlets embed my videos, bringing views and visibility.
 
I OPENLY CLAIM THIS.
 
And honestly, it’s just how it works when you are perpetually trying to get your name out there as a relatively unknown independent artist. We’re all out here just doing whatever we can to beat the almighty algorithm and stand out in the crowd.
 
I’ve been managing and funding the entire production of all of my records, videos and tours myself for the past 20 years. There have been a few times where I’ve done that while on a label, but even then I was navigating most of this whole thing solo. And believe it or not, mentally ill gay guys who refuse to stick to a single genre longer than one album cycle and sing openly about their issues related to overcoming sexual trauma and crack addiction aren’t what all A&R reps at every record label are looking for. 👻
 
I’ve been doing all this because I need an outlet to work my shit out, and as a byproduct it has actually helped me build community around things I care deeply about; but I’m the first to admit a lot of my journey both publicly and privately has been more than a little goofy.

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// MUSIC VIDEOS

 


 


 

// TOO HARD (2025)

 

   


 

// SOFTCORE (2024)

 

 

 


 

// HARDCORE (2024)

 

 

 


 

// R+R CITY (2023)

 

 

 


 

// DISTRACTED (2023)

 

 

 


 

// NEW MONEY (2022)

 

 

 


 

// KRS30YRS (2021)

 

 

 

 

 

// CONNECT

 

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