My new video “Oh, Lucifer” is being released THIS FRIDAY, January 20th, in protest of Donald J. Trump‘s Presidential Inauguration.  It’s the only thing I can think of to do with all of this hopelessness.

We had the pleasure of working with Portland Film Works again on this blasphemous mess and I can’t wait for you to see it! In the video I get to give Fred Phelps electro-shock therapy and save a bunch of puppet queers from him, shoot Jim Jones out into space, blow up “God Hates Fags” protest signs with my lazerbeam eyeballs, and put Donald Trump in prison. So…dreams really do come true! (at least in music videos)

Listen to the track HERE now.  It’s ADIEU‘s album ender, song 15. Pick up your copy on 150 Gram Red Double Vinyl Album, CD Digipak and Digital Download HERE.

You can check out all of the behind-the scenes photos on my Facebook page HERE, but below are a few from the lot to tide you over…

I went back to my hometown of York, Nebraska a couple of weeks ago while we were on the road promoting the release of my new record #ADIEU and the local paper interviewed me for a story that’s out today.

They interviewed one of my two favorite high school teachers and the man who taught me how to sing, too. It’s lovely.

Thanks, York News-Times!

The story ran on the front page in York as well as in the Grand Island Independent.  Click HERE to read it on the York News Times website or just keep reading below for the full transcript.

From York News Times: (11/17/2016)

“Struggles Lead Logan Lynn From York To FAME”

Read the rest of this entry »

Thanks to Willamette Week for featuring my new record (and our Portland record release show) in this week’s issue. Hometown love!

From Willamette Week: (9/28/2016)

Veteran Portland Songwriter Logan Lynn Releases His Most Uncomfortable Album Yet
by Dom Sinacola

“Logan Lynn knows Old Portland.

Lynn came to Portland in 1996, fleeing a fundamentalist Christian upbringing. (“I grew up in a cult, frankly,” he says.) With a bedroom demo of wounded electro-pop disguising soul-baring subject matter behind disco glitz, he befriended many of the mid-’90s stalwarts of Portland music scene, like Elliott Smith and the Dandy Warhols, eventually signing to the latter’s Beat the World Records, a Caroline/EMI subsidiary.

But that doesn’t mean he misses it.

“I’m not pro-gentrification. I’d love us to have a better plan for the people being left behind or displaced,” he says.

But.

“There was a part of that scene that was mostly about getting high and not having jobs. I don’t know if I feel super-protective of that part of it. You can’t wish for something that’s not based in reality to last forever.”

Lynn has had his own issues. He overdosed in 2008, and though he’s been clean since, he says the pressures of being signed to a major label made it more difficult to navigate sobriety. That same year, midtour, he “freaked out” and quit. “I walked away and sent a press release to everyone about my career suicide, in the middle of the night,” he says. “I went and worked at a community center the next day. I needed to reclaim my humanity on some level.” Read the rest of this entry »