The folks over at the music blog “Your Moment Of Zen” had some nice stuff to say about the new record today! You can check the full post out HERE

…and now for a bit of the review:

“Technology has allowed for some truly amazing developments in music. These days one can write, record, remix, package and distribute an entire body of work with little or no help from anyone else. Marry this to the splintering of the music industry where labels are less important as a connection to alternative media outlets and you have an entirely new methodology of music. The human connection is more important than ever when it comes to getting people to listen to your music. So the fact that I am even reviewing music from Portland based Logan Lynn is a testament to his connections.

Signed to the label founded by THE DANDY WARHOLS is a step in the right direction. Even though musically Lynn’s sound is as far away from the Warhols, the name recognition helped me give it a chance. “Feed Me To the Wolves” almost sounds like a lost DEPECHE MODE B side (back when they gave a damn and weren’t just manufacturing sounds for a paycheck) whereas “Write It On My Left Arm” has more of a Laptop Pop Feel (a la THE POSTAL SERVICE) but with more vocal effects. Other parts of the album have a more atmospheric approach that recalls MOBY in both music and vocals.

Apparently Mr. Lynn is quite prolific and after releasing this latest record he plans on two more in the near future. Which is also a by product of this new DIY computer culture of music; a near endless stream of creativity direct to the consumers. And that is never a bad thing…”

It doesn’t really get any better than what “The Deli Magazine” had to say about my new record today. Check out the full post HERE or, you can read a bit from the review just below:

“Logan Lynn’s new album From Pillar To Post will be released via Lynn’s Web site starting tomorrow, September 4th, over two full months before its iTunes and nationwide retail release.

From Pillar To Post is more than just an electro-pop hustle; Lynn’s solemn vocal intonations – monotone and richly verbose – transform what would otherwise simply be stunningly melancholy dance-punk into another, less traveled road of stoic expression.

Tracks ooze with pop-y blips before the thud of driving beats implores you to submit to the lurking troubadour hiding within. In all honesty, I feel a sense of overt creepiness every time I listen to the album. It’s dark and rough and sopping with droplets of introspective rehabilitation, like an audio diary plucked from the newly healthy hands of a 21st Century Robotic Digi-genius.

It’s probably the best album, electronic or otherwise, to have been released out of Portland this entire year. AND it was weaned into being by the dudes in the Dandy Warhols, via Beat the World Records.”