Thank you to BLURT MAGAZINE for naming my new record ADIEU one of the Top 10 Albums of 2016! 💀 💔 🔪
It is an honor to be included in that list of bands and artists who conquered the past 12 months in song. Click HERE for the full list at Blurt online.
ADIEU has been reviewed by over 50 magazines, newspapers and blogs already — ALL of which have been positive!!! Thank you to everyone who has taken the time to listen to this thing since its release on September 23rd.
This record is my heart. No filter.
If you haven’t already, pick up your copy on 150 Gram Red Double Vinyl, CD Digipak or Digital HERE and stream it free at the usual suspects, or by clicking on the cover artwork below.
Thanks to Ned Lannamann and the kids at The Portland Mercury’s End Hits music blog for including my new video “Radio Silent” in this week’s Video Vriday music video wrap-up. It’s only been out for 3 days and already 7,000 of you have watched it!
Check out the video online at End Hits HERE or read what they had to say just below.
From End Hits: (6/13/14) “Just in time for Pride weekend, here’s Logan Lynn’s latest video, for his tune “Radio Silent” from Tramp Stamps and Birthmarks. Lynn (who, full disclosure, is also a Mercury contributor) shot this with filmmaker Runn Shayo over the course of a summer tour last year with fellow queer artists Big Dipper, Conquistador, and others, and the video features clips from shows across the country and snapshots from life on the road.”
Nov 2, 2013Comments Off on The Portland Mercury Picks “Tramp Stamps and Birthmarks” for Video Vriday! Weekly Wrap-Up
Hometown love today from The Portland Mercury, who included my new video “Tramp Stamps and Birthmarks” in this week’s “Video Vriday!” weekly wrap-up! Check it out HERE or keep reading below the video:
Logan Lynn released his new Halloween-y video this week; ‘Tramps Stamps and Birthmarks’ is a mysterious psychosexual clip made by Hippodrome Films. Lynn recorded the dark-tinged dance track with Spencer Lee Carroll (LackLustre), and Lynn says, “The horror of the video is meant to be a metaphor for the horrors of being trapped in our individual histories.”