LOGAN LYNN

  

LOGAN LYNN TAKING AN EXTENDED BREAK FROM THE MUSIC INDUSTRY TO COMMIT CAREER SUICIDE – FULL STORY HERE.


Hey everybody. As I near the 10 year anniversary of my debut record, “GLEE” (which was originally released in October of 2000) I’ve been thinking a lot about all the years from there to here. I have come to some conclusions not only about the journey I’ve been on since then musically and in my personal life, but also the journey I intend to be on moving forward with both.

One thing that is painfully clear to me and everyone who knows me in real life is that I AM MISERABLE. I have been for some time. I’m sick of being broke, mismanaged, overworked, screwed over by the folks who are supposed to be looking out for me…you know, all the hits. Ever since I overcame my paralyzing stage fright, playing shows has been great and I’ve had a wonderful time on tour this Summer with The Gentry but the abnormalities that come along with being a working musician in the digital era without the proper, traditional support of a label are too much for me to just keep absorbing. I can’t be gone all the time like this. I don’t want to spend my life on the road with strangers in bars and hotel rooms. It’s not healthy. I’m homesick for a home that does not exist because I have been too busy to create it for myself, no other reason. I need something real in my life. I can no longer pretend that things are going to suddenly feel better like magic when I know that they are not. These things I’m putting all my energy into obtaining are not making me happy. They are not ever going to because fame and money and attention is not what I want anymore. It’s time that I take control of my own happiness, something I have been dreading and avoiding for years now because of the terrible consequences and pressures attached to doing so. I am finally brave enough and there is just no stopping me. My humanity is in need of repair. These are someone else’s dreams I’m killing myself to fulfill. It is time for me to chase the light to happiness, not acceptance by the masses.

I am going to take some time completely off far away from the business of being myself professionally, then we’ll see where life has led me. These final shows next month with The Gentry in Salem, on August 6th & in Portland on the 20th are going to be the last shows I play for at least a year or two so I hope you can make it. They are going to be very special nights. Please, PLEASE come to the final show at Mississippi Studios on Friday, August 20th and wish me farewell on my new journey.

I don’t know what I am going to be doing from here but I fulfilled my contract with Beat The World (so I know what I’m not going to be doing, which is a very clear start…or finish, as it were). I am Free, an unsigned independent artist once again, not bound to any contracts, people or associations. I find myself in a moment where I can do one of two things; and I gotta choose the peaceful road, you guys. Think I’m gonna go help people for awhile, do something that actually matters—that isn’t so self-serving and based in phony, superficial publicity opportunities. I am leaving the door open for me to change my mind later on so I’m not saying I’m done forever by any means but it honestly does feel that way at the moment. I just finished that new record with Bryan Cecil and have been leaking the demos all week, freeing myself of the rules and regulations that come with being a brand instead of just some stoner dude who makes funny sounding synthpop songs about death and darkness on his keyboard. If another label comes along and picks me up to release it I’d Read the rest of this entry »

LOGAN LYNN INTERVIEWED BY “DIRTY” MAGAZINE THIS MONTH!!!

I was interviewed for the premier issue of Dirty Magazine (available in July) and our chat is currently one of the feature stories on their website! You can check it out HERE or just keep reading below.

From Dirty Magazine: (July 2010)

“LOGAN LYNN’S LAST HIGH: LOGAN LYNN – MUSICIAN, PORTLAND RESIDENT, SELF DESCRIBED “EMO-PROPHET” – TALKS ABOUT HIS STRICT CHRISTIAN UPBRINGING, COCAIN ADDICTION, AND THE JOYS OF JOY BEHAR.

DIRTY: WHERE ARE YOU FROM?

LOGAN LYNN: The Midwest, but we moved around a lot: Nebraska, Michigan, Kansas, Tennessee, Texas. I moved to Portland when I was 16 and, aside from a few failed attempts in larger cities, have basically stayed put.

D: ASIDE FROM SINGING, DO YOU PLAY ANY INSTRUMENTS?

LL: If you put quotation marks around the word “play”, then yes. I took just enough piano and guitar lessons as a child to know my way around the basics in both, but I write lyrics and make vocal melodies, mostly. That’s my instrument.

D: HOW PRESENT WAS SINGING IN YOUR CHILDHOOD?

LL: Singing was always very present. I was raised in an A cappella church and my parents were both choir singers. My Dad was a preacher and I was not allowed to listen to secular music. I watched a lot of “Kids, Incorporated” though (so I was heard 80’s pop music), and “The Mickey Mouse Club”. Every now and then CCM Magazine, a Christian music magazine that I subscribed to, would review a record by a secular band. In 1989 they reviewed the self-titled first release of “The Innocence Mission”, because there was an old Catholic song tagged to the end of it. This changed my life for sure. I got really into them and began following their career. I had a real connection with Karen Peris’s lyrics and they would, in time, be what got me through much of the solitude I was faced with growing up, as well as the rehab-laced, drug-fueled solitude of my 20’s. I still listen to her songs still now; they have the same effect on me that they used to.

D: WHAT IS THE FIRST SONG YOU CAN REMEMBER FALLING IN LOVE WITH? HOW OLD WERE YOU?

LL: Tiffany’s “I Think We’re Alone Now” was the recital song for my tap and jazz dance class when I was eight. It was the first record I destroyed by playing over and over. It was love for sure.

D: HOW OLD WERE YOU WHEN YOU WROTE YOUR FIRST SONG? WHAT WAS IT ABOUT?

LL: I was pretty young when I started making up my own lyrics and melodies. Basically, as soon as I could speak I started to sing. There are cassette tapes of me singing original material dating back to when I was two or three. The first proper song that I wrote, recorded, and performed was when I was 12. I had just gotten heavily into drugs and wrote a song about Windowpane [LSD] that I recorded in my cousin’s studio and then performed at a Christian talent show. Needless to say, I didn’t win.
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