LOGAN LYNN // SOFTCORE

  

Sep 14, 2013 Comments Off on LISTEN: Logan Lynn Releases Cover of “We Can’t Stop” (Miley Cyrus) – FREE DOWNLOAD

LISTEN: Logan Lynn Releases Cover of “We Can’t Stop” (Miley Cyrus) – FREE DOWNLOAD

We Can't Stop (2013) Logan Lynn

On the heels of my summer tour of the U.S. with Big Dipper and Conquistador, I have just released a cover of We Can’t Stop (by Miley Cyrus) that is going to blow your mind.  Click HERE to listen and download the single free on Soundcloud or HERE to do the same on Bandcamp.  The official lyric video is also streaming on YouTube HERE.  It technically doesn’t come out until Tuesday (9/17) but…you know…we can’t stop.

😉

Produced by Gino Mari, who also produced my 2012 release Tramp Stamps and Birthmarks, this song features all organic instrumentation unlike anything else I’ve recorded to date.  Why Miley, you ask?  Well…I thought what Miley did on the VMAs was hilarious.  I mean…Robin Thicke is a disgusting misogynistic pig who actively promotes rape culture, but that’s not Miley’s fault.  She’s just young and awkward and having fun.  I would have totally Twerked on him and everyone else in my way at her age.  Going nuts and telling authority figures to go screw themselves is part of growing up.  Also, where do I get one of those giant foam fingers she had for that performance?  Is that a sports thing or what?!

You may notice that this cover (and my latest single, released 8/13) are a bit of a departure from the electronics I’ve become synonymous with over the course of the past 15 years.  These are just a glimpse into the new direction I’m headed in sonically.  I have to keep changing things up or I get bored.  This round I’ve put down the dance music a little and Gino has been playing all kinds of instruments instead.  It’s been turning out really warm and special so far as a result.  I figured this cold, dead pop song was the perfect thing to try and bring to life.  Don’t get me wrong – I actually really like Miley’s version, too…but it’s not particularly warm.

Click the cover art below to download Logan Lynn’s We Can’t Stop single FREE and watch the original We Can’t Stop video by Miley Cyrus HERE to compare versions.

Logan Lynn We Can't Stop Single Cover Art

Song Credits:

Logan Lynn: “We Can’t Stop” (Cover)
Vocals:  Logan Lynn
Music:  (Electric Air Organ, Acoustic & Electric Guitars, Piano, Cello, Drums, Backing Vocals, Tambourine): Gino Mari
Mixed by Gino Mari at The Country Club Studios – Portland, Oregon
Mastered by Stephan Hawkes at The Breakroom Studios – Portland, Oregon
2013 Logan Lynn Music (LLM)
Originally Recorded by Miley Cyrus 
(C) 2013 RCA Records, a division of Sony Music Entertainment


(Lyric Video by Dandy Jon)

Jul 13, 2013 Comments Off on Logan Lynn’s “Tramp Stamps and Birthmarks” Reviewed in July Issue of Mondo Sonoro Magazine (SPAIN)

Logan Lynn’s “Tramp Stamps and Birthmarks” Reviewed in July Issue of Mondo Sonoro Magazine (SPAIN)

Logan Lynn in Mondo Sonoro

My new record “Tramp Stamps and Birthmarks” is reviewed in the July 2013 print issue of Spain’s Mondo Sonoro Magazine! They gave it 3 1/2 stars (out of 5), which means a B+. The star rating is about as much as I can read, but if you are Spanish-speaking, click on the July cover or just keep reading below for the review.

Thank you, Mondo Sonoro! I dig that you dig the record.

🙂

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From Mondo Sonoro (July 2013 Issue):

“Disco De Logan Lynn: Tramp Stamps and Birthmarks – Activista de la comunidad LGBT, periodista y todo lo que le echen por delante, Logan Lynn ha ido virando su género hacia el hedonismo sin frenos del pop sintético de las pistas de baile desde que debutara en lo musical en 1998 rindiendo pleitesía a la indietrónica. Aunque, eso sí, sin hacerle ascos a nada dentro de ese género madre, ya que a lo largo de “Tramp Stamps And Birthmarks” se manifiestan en buena medida los tropicalismos indie a los que nos tiene acostumbrados Kitsuné (“The Ghost Of Someone Else”), la sombra de los siempre a reivindicar Silver Columns (“Loud Enough”), unos The Postal Service hipotéticamente desbocados por el techno pop (“Hologram”, una de las mejores del lote) y hits potenciales que podrían haber sonado perfectamente en boca de Frankmusik (“Radio Silent”). La nueva criatura de Lynn no renueva su sonido más reciente, pero nos deja un buen puñado de momentos perfectos para quemar calorías bailando antes de que se reserve dos últimos números que rebajan drásticamente la adrenalina del conjunto.”


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