LOGAN LYNN MUSIC + MANAGEMENT

  

Logan Lynn’s ADIEU Picked as Recommended Album of the Month by La Musique Radio Colombia

Logan Lynn by Ray Gordon (2016) - 4

Thanks to La Musique Radio in Colombia for picking my new record ADIEU as their recommended album of the month! We love you, Colombia!

From La Musique Radio: (Colombia)

Disco Recomendado:

Uno de los regresos más esperados desde este espacio de música ya está acá, el dolor que inspira la perdida, la perdida que inspira a la creación, toda expresión que fluye como la sangre en las venas, vuelve en uno de los trabajos más maduros de Logan Lynn.

Deezer: http://www.deezer.com/album/13330337
Spotify: http://spoti.fi/2dun2zw
Apple Music: https://itun.es/co/1SC7cb

Actor & Comedian Jay Mohr Pens Heartfelt Review of Logan Lynn’s Forthcoming Double Album “ADIEU.”, Releasing September 23rd

Jay Mohr Review - Logan Lynn ADIEU (2016)

by Jay Mohr, 7/20/2016

Album: ADIEU.
Artist: Logan Lynn
Score: A+

Logan Lynn’s ADIEU. is a victory for the broken bones and bruised hearts that support our heavy souls.  Impossibly, yet beautifully, ADIEU. makes no claims to anything other than a simple truth: Life is awful, until it’s not.

From the first sentence on the first track (I like it All The Time) Logan Lynn plants a flag of newfound, possibly tenuous independence, singing “Some like it rough, I like it all the time.”  The puzzle pieces that come into view as the album progresses reveal that “it” could be anything from love, pain, pleasure, criticism, praise or friendship.

Logan Lynn by Ray Gordon (2016) - 5ADIEU. is an enormous accomplishment in its ability to keep listeners guessing and re-guessing who Logan Lynn is, and where in this galaxy he comes from. In each track, the truth is always there, a scavenger hunt of feelings with constant payoffs — sometimes hidden on the surface, beneath the surface and so far below cold dark waters that you haven’t even noticed you’ve been dragged under and into his life.  After all, this is, an album about life; a life of suffering; a life of love lost; a life of love found; a life of confusion; a life identified as having value and reclaimed.

Logan’s lyrics are unequaled. They are his and his alone. To cover a Logan Lynn song would be identity theft. A heist. Grand larceny. Break me Down (the best song on the album) is so honest and truthful that with just one pass through the lyrics you feel like an intruder. A spy. A fly on a wet wall about to drop into a broken hearted lap and ruin what remains of what was once an incredible party.  The lyric “Tell me you love me and I’ll kill it with you in time” is such a powerful admission from a co-conspirator; both parties knowing full well their love cannot last, but begging for acknowledgement of what was once the greatest, most fulfilling, shared experience.

I advise you to walk blindly into this album and just sit still. Lynn does all the work for you. It’s his life’s work and it has taken him a few lifetimes to get here. Logan is a brave, brave artist. Read the rest of this entry »

Logan Lynn’s “ADIEU.” Featured as Red Star Pick in September Issue of Spain’s Mondo Sonoro Magazine

adieu-art-16

Big thanks to Spain’s Mondo Sonoro Magazine for choosing my new record ADIEU. as a red star top pick (alongside Frank Ocean’s Blond!!) in their September 2016 issue. 7 out of 10 stars!

They also posted my new video “Go There When You Want To Be Loved” alongside the web version of the review. Click HERE to check it out, or keep reading for the transcript of the review below the video.

From Mondo Sonoro:

“Estos no han sido unos buenos años para Logan Lynn. El estadounidense en un corto plazo de tiempo perdió a su chico y a su querido perro, y con esas ausencias en su vida los fantasmas de los trastornos mentales y el suicidio volvieron a acecharle. Aunque eso sí, lejos de decantarse por la autodestrucción, ha aprovechado estas vicisitudes para crear un álbum catártico en el que, sin tapujos, se desnuda como nunca con la pérdida del amor como principal leit motiv.

Aparcando su conocida faceta electrónica (aun habiendo números como “Way Out” o esa “Oh Lucifer” en la que vuelve a hacer gala de su compromiso con la comunidad LGTB) Lynn y su fiel colaborador Gino Mari tanto se dejan querer por el pop californiano (“Can You Get Me Off?”) como rinden pleitesía a sus admirados The Dandy Warhols (en “The One”) en un disco igual de bello que visceral.”


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