You can read the full review of “From Pillar To Post” (and nab a couple of the tracks) on “The Pop! Stereo” HERE.

Here’s a bit from the piece from “The Pop! Stereo” Music Blog:

“Oregonian, Logan Lynn is a troubadour who utilizes beats, synths and the preaching of the good word to convince the lovelorn and depressed that there’s more to life then being gutted all the time. Having released two previous albums that dwelled heavily on themes of religion, sexuality, and identity, the idea of singing to those troubled by all three is nothing new to Logan. On his third album, From Pillar to Post Logan Lynn has continued to develop his ability to lift troubled souls up via song and has also dived head on into exploring new sonic territory. As his bio states, he’s put the disco back in discomfort.

With an approach that’s pretty darn near close to the Postal Service, Logan Lynn weaves his tales around a rather shy and introspective voice that sounds as if they were written by the kid no one paid attention to. His outsider looking in perspective serves his ethereal like synth pop well as it sounds as if he’s whispering the lyrics to each song into your ear. As a result, From Pillar to Post is an intimate and personal record that anyone who has ever had any sort identity or relationship crisis can relate to.

From Pillar to Post is a lush, faithful and cozy record that will tug at your heart and give you a bear hug. It’s an emotional affair that might just bring you to tears. It’s Logan’s ability to write songs that are that heavy that makes him such a fantastic artist. The fact that he can successfully do it by laying it on the line in and packaging those hopes and tales of love and spirituality in the form of a pop song is a testament to the guy’s talent. Synth pop hasn’t had this much honesty and heart in a long time and that’s why I like From Pillar to Post as much as I do.”

They like it. You can use the link below to see the full post, but here’s a bit of it for you:

“Logan Lynn was signed to Dandy Warhols’ record label,Beat The World,but don’t think of any resemblance to them. His music is an electronic combination of Patrick Wolf and Why? without copying them but adding his own style and voice. I’m glad i listened to him late at night,he got me feeling different. His album is coming out in Fall 2009,and i’d say that then would be the best time for it. You should go buy it. It fits everywhere. Waking up, loving, cold weather. Even loneliness…share the headphones”

WOOT! CLICK HERE to read the original post!

THEY DIG IT!

You can CLICK HERE to view the entire post, but here’s a bit of what they had to say:

“Logan Lynn is an artist out of that aural metropolis we call Portland, Oregon that has recently been signed to the Dandy Warhol’s “Beat the World” label. His new album “From Pillar to Post” is an emotional journey through sprawling soundscapes of sparkling pop melodies and jagged glitchy beats. As the press release on his page says; “He Puts the “Disco” back in “Discomfort”.

Even though Mr. Lynn’s music is just now coming to my attention, he has been at it a while. He has released 2 albums since 2000. The first was entitled “Glee” and was a combination of optimistic beats and electronics with heart wrenching lyrics and themes. His self-titled sophomore effort was released in 2006. Following a collaboration with Carlos Cortes of the Portland DJ collective ‘Assemble The Empire’ on the track “Feed Me to the Wolves”, the two decided to work on a full album together. This album is the aforementioned “From Pillar to Post”.

The lead single “Burning Your Glory” plods along with ethereal guitar melodies accented by synth tones that drop like pins in a silent room. Each crystalline tone has the potential to send a chill down your spine. Other tracks like the excellent “Feed Me to the Wolves” pick up the pace, but don’t expect all out dancefloor funkiness, but rather mood pieces that whirl by like streetlights on a long drive home.

There hasn’t been a release with this level of “bloody heart on sleeve” emotion tied to an electronica project since The Postal Service’s “Give Up” in 2003. Others have matched The Postal Services musicality over the years, but Logan Lynn’s lyrics and delivery drip with digitized drama and pathos.”