
(Originally Published on The Huffington Post on 7/26/13)
On the heels of a tour with fellow hometown heroes Gossip, Portland’s Magic Mouth is about to release their new EP Devil May Care on August 15. This record is the follow-up to their 2012 debut Believer EP, and will be available in limited edition 12′ 33RPM format and digital download from Fast Weapons Records (the label owned and operated by Gossip‘s Nathan “Brace Paine” Howdeshell).
I met up with Peter, Ana, Brendan and Chanticleer — (aka Magic Mouth) over at their practice space to interview them about the new record, their time on the road with Gossip, their take on the Portland music scene and more. Read our chat just below.
Photo: Megan Holmes
Logan Lynn: Where did the name Magic Mouth come from?
Chanticleer: It’s about a boy who always gets what he wants. (Smiles)
Logan: (Laughs) Well, that makes sense. For a person who hasn’t heard your music, how would you describe your sound?
Chanticleer: I feel like the core is just roots music. We all have a love and appreciation for Read the rest of this entry »

I just picked up a copy of the current issue of Willamette Week and discovered that they picked my Portland show as one of their “Highly Recommended” events this week and included the following review of my new record, tour, return to music, etc. in print and online.
Thank you, Willy Week! I love love LOVE the hometown welcome I was given this week by the local press and community. Portland Monthly Magazine, The Portland Mercury, PQ Monthly and Willamette Week all picked the Portland stop on my summer tour as a must-do…which was such a treat! I’m blushing over all the gushing, Puddletown. Thanks so much!!!
🙂
From Willamette Week (July 10th, 2013 Print Issue)
“[GLOW STICKS, BOAS AND CASIO DREAMS] Since announcing his “extended hiatus” from music in 2010, former Dandy Warhols protégé Logan Lynn stepped back from the corporate machine behind major-label breakthrough From Pillar to Post and joined the staff at local queer hub Q Center. A few years and a charity record later, the Portland electro-popper is back with Tramp Stamps and Birthmarks, a layered confection of shiny beats, blips and synths with more lyrical heft (“Hologram,” “Loud Enough”) than the average dance-floor soundtrack. Lynn is back on the road, too, thanks to the Accidental Bear Queer Music Benefit tour, a five-city bicoastal trek to support LGBT and related mental-health resources nationwide. Also on the disco-ball-begging bill: trippy glam rockers Conquistador and the hairy hip-hop of Chicago bear MC Big Dipper, which is most assuredly not a football thing.”