New interview up today over on Mr. Man — the authority on celebrity male nudity. 😉
We talked about music, mental health, LGBTQ activism and my favorite naked dicks in film. N.S.F.W. (if that isn’t already obvious).
Click HERE to check it out online, or keep reading below for the full (frontal) transcript.
From Mr. Man: (9/25/18)
A MR. MAN INTERVIEW WITH MUSICIAN LOGAN LYNN
Mr. Man was thrilled to see Logan Lynn‘s music video Nothing’s Ever Wrong that opened up with wonderful full frontal nudity from Jay Mohr. We had the opportunity to talk to musician and creator Logan Lynn about that music video and his journey as a musician and LGBTQ activist. Read our exclusive interview below and make sure to watch his new music video.
MM: How did you get started as a musician?
Logan Lynn: Well, I grew up in a super conservative evangelical environment where secular music and even instruments weren’t allowed, so I have always been really drawn to pop music and the idea of rock and roll from a very early age; as far back as I can remember.
Read the rest of this entry »
Oh hi there, Innocent Words Music Magazine. You’re cute. 🙂
New interview and review in the October issue. Click the cover below to check it out on the Innocent Words site, or keep reading below for the transcript.
From Innocent Words Magazine: (October 2016 Issue)
Logan Lynn: Modern Day Gene Kelly
by John B. Moore
It’s been four years since Portland’s Logan Lynn last put out a full length. And despite coming out with a wildly popular Miley Cyrus cover in 2013, his latest record is aligned much closer to ’90s college radio rock and classic theatrical rock (think more Queen and less Yes), than a contemporary party album.
“I think strong ’90s college rock vibes are probably there by way of the strong ‘90s college rock vibes I loved and was raised on, and then intentionally nodding to on ‘ADIEU,’” says Lynn, referring to the new LP. “But I think Gino (Mari, his collaborator/producer) and I both had pretty serious musical theater vibes happening as a constant throughout. There are moments on this record that feel really jaunty and bratty and as we were recording them I tried to keep this mental image of myself with a dancing cane, clicking my heels in the rain and moving through these very serious themes with a spring in my step, front and center. The whole thing is very jazz hands mental health crisis, frankly.” Read the rest of this entry »
