My new video “Tramp Stamps and Birthmarks” premiers on 10/31/13 – Halloween! I worked with the cool kids at Hippodrome this time around to produce a truly horrifying psycho-sexual mini-film and it is going to scare the bejeezuz out of you forever. Oh god. So gnarly.

We’ll be announcing more info about the premier soon, but here are some stills to tide you over. That’s me in the middle of the woods, freezing cold in a dog cage.

You only have to wait a couple more weeks for this puppy, so get ready! In the meantime, click HERE to watch my other videos.

“Tramp Stamps and Birthmarks” Music Video Cast & Crew:
Cast: Logan Lynn & Robert D’Esposito
Kevin Forrest: Co-Director and Director of Photography
Ben Starkey: Co-Director and Editor
Josh Smith: Gaffer and Grip
Emily Yurek: Art Director
Kelly Raine: PA
Produced by Hippodrome Media

Today will forever be known as the day New York Magazine called me “dreamy” on the internet. At least…that’s how I’m going to remember it.

😉

BOOM.

Check out the article on NY Mag’s Vulture blog HERE or by clicking the current issue cover below.

From New York Magazine, Vulture: (9/18/2013)

“We Can’t Stop With These ‘We Can’t Stop’ Covers – And Why Should We? Arguably the track that would have been 2013’s Song of Summer were it not for “Blurred Lines,” Miley Cyrus’s “We Can’t Stop” has managed to linger far beyond the whole twerking thing that initially captured popular attention. How do we know this? Aside from being stuck in our heads since its release and being played at every summer wedding we went to, the song has also produced several very good covers. Doo-wop ones, reggae ones, and ones that really get into the heart of the matter. Neon Hitch’s brass-filled reggae cover, Logan Lynn’s dreamy, guitar-heavy version, Scott Bradlee & Postmodern Jukebox’s doo-wop version and Bastille’s incredible cover, which mashes up “We Can’t Stop” with Miley’s father Billy Ray’s “Achy Breaky Heart” to create a narrative of a rebellious child and her concerned father.”

(Lyric Video by Dandy Jon)

My new record “Tramp Stamps and Birthmarks” is reviewed in the July 2013 print issue of Spain’s Mondo Sonoro Magazine! They gave it 3 1/2 stars (out of 5), which means a B+. The star rating is about as much as I can read, but if you are Spanish-speaking, click on the July cover or just keep reading below for the review.

Thank you, Mondo Sonoro! I dig that you dig the record.

🙂

From Mondo Sonoro (July 2013 Issue):

“Disco De Logan Lynn: Tramp Stamps and Birthmarks – Activista de la comunidad LGBT, periodista y todo lo que le echen por delante, Logan Lynn ha ido virando su género hacia el hedonismo sin frenos del pop sintético de las pistas de baile desde que debutara en lo musical en 1998 rindiendo pleitesía a la indietrónica. Aunque, eso sí, sin hacerle ascos a nada dentro de ese género madre, ya que a lo largo de “Tramp Stamps And Birthmarks” se manifiestan en buena medida los tropicalismos indie a los que nos tiene acostumbrados Kitsuné (“The Ghost Of Someone Else”), la sombra de los siempre a reivindicar Silver Columns (“Loud Enough”), unos The Postal Service hipotéticamente desbocados por el techno pop (“Hologram”, una de las mejores del lote) y hits potenciales que podrían haber sonado perfectamente en boca de Frankmusik (“Radio Silent”). La nueva criatura de Lynn no renueva su sonido más reciente, pero nos deja un buen puñado de momentos perfectos para quemar calorías bailando antes de que se reserve dos últimos números que rebajan drásticamente la adrenalina del conjunto.”